![]() ![]() Auto-Tune Pro X also includes all of the iconic features of the original Auto-Tune and delivers industry-standard pitch. It provides best-in-class tuning, an efficient workflow, and a range of innovative next-gen options for the modern musician, vocalist, producer, and mixing engineer. Still the most real sounding results seem to come from MD. Auto-Tune Pro X is the most recent edition of Auto-Tune Pro. Projects overview Create projects Open projects Save projects Delete projects Play and navigate projects. Antares Auto-Tune Pro X Pitch Correction and Vocal Effects Plug-in Features: Delivers everything from transparent pitch correction to the iconic Auto-Tune. Gets pretty bad if you want to alter a project like that. Virtual MIDI devices overview in Logic Pro for Mac Record MIDI messages from another music app Send MIDI messages from Logic Pro for Mac to another music app Work with projects. MD can also be used for timing and transients quantization on any type of instrument. Personally, though, I've worked with a producer who insists we always bounce our MD-altered track(s) into a non_MD one (the finished/tuned track) before mixdown to save both CPU/RAM demands, but also preserve the project for the long-term, should something go wrong with Melodyne or it's plist files, etc. Having said that, one's project could have 4 to 10 BGV tracks and that gets messy/tedious. This now "virgin" (un-MD plugin) track can be manipulated (cut/spliced, etc). ![]() However, if needed, you can bounce in place or record the MD changed file to another track. The most common way to autotune in Logic Pro X is to use the stock Pitch Correction plugin that comes with the app. You alter/tune that recording, not the regions from whence it came. COMPARISON AT 3:37 A first look at AutoTune Pro from Antares. That's because it makes it's own "recording" of the track regions you feed into it. Yes, Melodyne is not good for moving things when doing track rearrangements, etc. ![]()
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